‘The RISE IMET conference gathered researchers, academics and practitioners working on emerging technologies applied in museums and cultural heritage. In the presentation, I discussed the approach for evaluation and impact assessment of digital heritage projects, which we introduced in the project Mingei, together with Merel van der Vaart, on behalf of Waag.

Evaluation of technology-mediated experiences of users qualifies as one of the most important challenges in digital heritage. Most often, evaluation approaches focus on the final product or outcome of a project. Within Mingei, Waag advocated for an approach that monitors and examines what is being learned during the project. The process of collaborative learning that takes place in working with different partners, is complex and merits to be monitored and documented as well. It is for this reason that within Mingei we introduced the concept of institutional and organisational learning.

‘Within Mingei, Waag advocated for an approach that monitors and examines what is being learned during the project.’

This means that Waag will examine, monitor and document the institutional and organisational learning that take place in the project, in addition to monitoring all utility, usability and user experience (UX) studies. We put forward an approach that draws inspiration by the Generic Learning Outcomes framework (as applied in museums and heritage sites) and the method of Team Based Inquiry. The Generic Learning Outcomes model advocates that learning can manifest itself as enjoyment, inspiration, and creativity. At the same time, Team-Based Inquiry cycles carried out by heritage and technology partners, allow to identify a pertinent question, and investigate how a program, project or activity can be readily improved.

Our work was at the origin of various questions from the session participants around articulating, combining and presenting evidence from findings around learning. Learning which occurs both as a result of using Mingei project digital outcomes, as well as learning as a multidimensional and multi-experiential outcome from getting involved in a complex, multi-disciplinary digital heritage project. You can read the abstracts of other presentations and keynote speeches of the conference here.

What is next?

Mingei plans for reaching out to like-minded digital heritage and digital media, learning and education practitioners during the annual CECA (Committee for Cultural Education and Cultural Action) Conference. This event will be hybrid and take place in Belgium and online in October 2021. The conference theme is ‘Co-creation inside and outside the museum’.’

Written by Areti Damala, freelance academic heritage researcher for Waag.

From 9 to 13 September 2019, PIOP welcomed all partners to the Mingei Consortium Meeting onChios, Greece, where the Mingei pilot on mastic is deployed. With coordinated efforts, the valuable help of the Mastic Museum staff and PIOP’s excellent relations with the local community of Chios, we were able to organize a fruitful meeting.

Visit at the Chios Gum Mastic Growers Association

On Monday morning of 9 September 2019 , the consortium visited the Chios Gum Mastic Growers Association – which represents the entire community of Mastic cultivators on Chios – and had an interesting meeting with the president Mr G. Toumpos.  One of the main aims of the Association is  with respect of growers-associates labour and efforts, to stand by them as an assistant, by contributing to the upgrade of mastiha cultivation, to the improvement of its producing procedure and of course to the guarantee of the highest possible profits. The consortium received input on the needs of mastic growers, ranging from practical issues to strategical goals.

Visit at the Mediterra S.A.

In the afternoon, the consortium visited the Mediterra S.A. Company and had a meeting with Ms Marialena Kavoura. Mediterra was founded by Chios Mastiha Growers Association, with the main objective to develop, product, promote, and sale mastiha products worldwide. Mediterra is a company initiated by the Association and it has the role of a marketing tool for mastic products. Today, they are also building a research centre for pharmaceutical and medical uses of mastic.

The main concern of Mediterra today is to promote mastic in the markets of U.S.A. and Australia, among others, where mastic is not known. Mastic is nowadays considered a super food, thus the main marketing strategy for those new markets is the pharmaceutical and medical use of mastic. Major export countries include those where mastic is used in their daily routine, such as in Saudi Arabia.

Mastic cultivation and agritourism

On Tuesday morning of 10 September 2019, the consortium met with thematic tourism stakeholders and with Ms Boura, who is the owner of the tourist Agency named Mastic Culture, in order to provide the experiential presentation in the field, at the Mastic Museum.At the open air exhibition of the Mastic Museum, where pathways have been developed, as an itinerary through the mastic field, participants became acquainted with the special characteristics of mastic cultivation and the agricultural landscape of southern Chios.

Mastic cultivation steps, processes and practices were demonstrated to and performed by the participants, providing a first-hand experience of the labour, the dexterity and the required practical difficulties, as well as the consideration of efficient use.

Plenary meeting

On the first day of the official consortium meeting, Wednesday 11 September, all partners and guests from the advisory board (Ms Stavroula – Villy K. Fotopoulou and Mr David Fajolles) attended presentations of the progress of the project and discussed with the consortium. During the day, all participants viewed the motion capture process that was taking place at the mastiha trees of the museum.

A guided tour of the exhibition space provided the opportunity to become acquainted with the history of mastic, the process of the mastic cultivation and the architecture of the settlements. Everyone became familiar with the history of the cooperatives, the Chios Mastiha Growers Association, the steps in the mastic production Line, its uses and the products.

Keynote talk by Villy Fotopoulou

Intangible Cultural Heritage, Local Knowledge and Sustainable Management of Cultural Assets and Environmental Recourses

During her talk, Ms Fotopoulou provided insights in Intangible Cultural Heritage, Local Knowledge, and Sustainable Management of Cultural Assets and Environmental Recourses. Ms Fotopoulou provided guidelines on the policies for the preservation of Intangible Cultural Heritage as acquired from the collaboration of the General Directorate of Antiquities and Cultural Heritage, of the Ministry of Culture and Sports – Hellenic Republic with UNESCO, regarding the inscription of elements of Greek Cultural Heritage in the Representative List of Intangible Heritage of Humanity.

Keynote talk and guided tour by Manolis Vournous

The architecture of the Mastiha villages

In the afternoon of the first day of the meeting, PIOP had planned two architectural guided tours in the Olympoi and Pyrgi villages, by Mr Manolis Vournous, architect and former mayor of Chios. Mr Vournous presented his talk in the context of two guided tours at these villages. Mr Vournous elaborated on the architecture of the Mastiha villages and the way it supported the cultivation of mastic during the last 10 centuries, as well as the protection of threats to the local communities due to piracy and weather conditions. The group ended up at the central square in Olympoi, where we had the opportunity to relax and enjoy the dinner provided by PIOP.

Co-creation activities

On Thursday  of 12 September, we started the day with an update on the technological progress of the project by the technical partners. After that, we continued with the co-creation sessions organized by WAAG, which focused on the creation of mastic stories oriented to the museum’s spaces, both indoor and outdoor. All participants were divided into three groups and created stories that linked the history of mastic, its social implications, the chewing gum production line and the external pathways of the natural landscape with the potential needs of different group visitors. The great participation, the fantasy and the ideas of all partners showcased the charm and the impact of this unique product on everyone.

Keynote talk by David Fajoles

Why does the 2003 Convention for the Safeguarding of the Intangible Cultural Heritage matter?

On the final day of the plenary meeting, Friday 13 September, we had the chance to attend the speech of Mr Fajoles, on the importance of the 2003 Convention for the Safeguarding of the Intangible Cultural Heritage. During his talk, Mr Fajoles provided insights on the organisation and operation of UNESCO Culture Conventions and in particular the 2003 convention on Safeguarding of the Intangible Cultural Heritage, as well as the ways in which heritage is inscribed in the representative List of the Intangible Cultural Heritage of Humanity or the List of Intangible Cultural Heritage in Need of Urgent Safeguarding. Mr Fajoles presented in detail the function of Heritage Inventories, awareness-raising on international and national level, as well as the function and value of the Register of Good Safeguarding Practices of UNESCO.

The planning of the next steps and issues of the council put the epilogue to a productive but intense 3-day meeting. The next consortium meeting will take place in Paris, involving the glass pilot, upcoming December. Until then, the scent of mastic has remained strong in everyone.

Short bios of invited presenters

Stavroula – Villy K. Fotopoulou is a graduate of the Department of Archeology and History of the Athens School of Philosophy. She has been working in the Ministry Of Culture since 1996, where she was appointed as a graduate of the National School of Public Administration. She holds postgraduate degrees in Modern History (NCSR, 2008) and in Social Folklore (NCSR, 2011). She is the Director of Modern Cultural Heritage in the Ministry of Culture since 2014. She has represented the Ministry of Culture in International Organizations (UNESCO, EU), on matters of its competence.

David Fajolles is a Professor at Sciences Po – C-factor.tech Paris, in Cultural Policies and International Relations. He is a Former Secretary General of the French National Commission for UNESCO and has worked for the French Ministry of Culture as an advisor to the Minister and as a head of the department studies. He is the founder of Manufacturing of Curiosity, a European initiative for smart innovation in cultural and creative industries.

Manolis Vournous graduated in 1996 from the School of Architectural Engineering of the National Technical University of Athens, and in 2000 with a scholarship from the Institute of State Scholarships he completed postgraduate studies in monument restoration at York University, graduating with distinction. His research interests relate to the architecture of Chios during the period of the Genoese and the Ottomans. With his publications and conferences he has dealt with issues, such as the vigils and fortifying architecture of Chios, the evolution of the post-Byzantine church in Chios and the creation and evolution of its settlements. From 1996 to 2003 he worked in Athens focusing mainly on studies and supervision of the restoration of buildings and the incorporation of new architecture into a historical setting. In 2014 he was elected Mayor of Chios.

Written by PIOP and FORTH

Man is constantly striving to seek beauty and incorporate it into his everyday life. Beauty is represented in works of art, ornaments and implements of daily use. This ongoing search for beauty is on show at “The Countless Aspects of Beauty” as of Wednesday June 18, 2019 at the Chios Mastic Museum in Greece, which will be the last stop of this touring exhibition.

Visitors will have the opportunity to admire fifty antiquities from the collections of the National Archaeological Museum, dating from prehistoric times to the Roman era. Several items, referring to some of the aspects of Beauty, are being exhibited for the first time.

A separate section, which however is not unrelated to the collection of antiquities, highlights the beauty of the women of Chios as seen through the eyes of travellers (16th-19th century), with exhibits and photographic material derived from the Historical and Ethnological Society of Greece / National Historical Museum and the Travelogues section of the Aikaterini Laskaridis Foundation, respectively. Also on display are the multiple properties and uses of the unique product mastic, which is one of Mingei’s pilots.

Exhibition on tour

The major exhibition “The Countless Aspects of Beauty” of the National Archaeological Museum (NAM), was designed in collaboration with the Piraeus Bank Group Cultural Foundation (PIOP) to tour its thematic museums. It has been presented since May 2018 in the venues of the National Archaeological Museum’s touring exhibitions, a smaller version with the same title, presenting antiquities from the top museum of the country. The exhibition was presented successively at the Museum of the Olive and Olive-Oil in Sparta, the Silversmithing Museum in Ioannina, and the Museum of Marble Crafts in Tinos; it was visited by approx. 46,000 people.

The selection of the ancient artefacts was based on the themes of the PIOP museums to which they travelled. Thus, in the Museum of the Olive and Olive-Oil the focus was on body-care items such as oils and perfumes, in the Silversmithing Museum on fine jewellery, and in the Museum of Marble Crafts on marble figurines representative of the Cycladic culture.

The touring exhibition “The Countless Aspects of Beauty” is part of the policy of the National Archaeological Museum to create, in Greece and beyond, parallel versions, linked thematically to its central touring exhibitions. The ultimate aim of the collaboration between the two entities is that these exhibitions will function as satellites of the top museum in Greece in the various regions of the country, offering to local communities the opportunity to examine at first hand fine artefacts of great historical value derived from the unique collections of the National Archaeological Museum. Another aim of this two-year collaboration (2018-2019) is to link the cultural imprint of modern times with that of the past, showcasing the vitality of Greek culture in all of its expressions across time.

The exhibition runs from June 19 to September 8, 2019 at the Chios Mastic Museum, Rachi site (Tepeki), Chios 821 02. 
Opening hours: Daily except Tuesdays, 10:00-18:00
Closed on July 22 (local fair) and August 15

With the kind support of the Chios Gum Mastic Growers Association. 

Written by PIOP